Murals

I see murals as a way of gently enhancing the surroundings, adding something new without overshadowing what already exists. My aim is not to dominate the panorama, but to enrich it — to leave a subtle change that feels as though it has always belonged.

Last days of summer

2025, Lodz, Poland

This mural was commissioned by Street Art Museum in Lodz, Poland.

About:

I painted this scene to capture the end of summer — hot days turning into cooler evenings — and the peace of being so close to nature.

The story about the cranes is true, but it also feels very symbolic. I was moved by how magical it was for the children to watch these birds, and how their calls in the morning gave a rhythm to our days. Curiosity turned into fascination, and it taught us to be more present. In many cultures, cranes symbolise immortality, and we really hoped this summer would never end.

My mural takes the form of a diary page. My aim was to create a body of work that would engage the viewer and make them feel intimate and close to the scene. I wanted it to be like a whisper. The space where it was painted had certain limitations, so I needed to ensure it wouldn’t be overwhelming. I wanted to reflect on the beauty of everyday life, to show the magic of the mundane, and to make the viewer feel the warmth of the last days of summer.

Jubiler

2025, Lodz, Poland

We were asked to create a mural to cover graffiti tags that somebody painted on one of the oldest jeweller's in town shutters. We wanted to create a timeles design that would enrich the street rather than change it dramatically.

We manipulated vintage photographs of New York and ended up with a retro looking design that seemed suitable for this kind of client.